OK! MADAM: BON VOYAGE (오케이 마담2) (2026)

Genre: Action/Comedy
Director: Lee Cheol-ha
Cast: Uhm Jung-hwa, Park Sung-woong, Lee Sang-yoon, Bae Jung-nam, Park Jin-joo, Ryeo-un, Choi Soo-young
Runtime: 1 hr 49 mins
Rating: TBA
Released By: Shaw Organisation
Official Website: 

Opening Day: 20 August 2026

Synopsis: Six years after the Hawaii airplane hijacking, Mi-yeong (UHM Jung-hwa) finds herself struggling with her rebellious teenage daughter, Nari, and her unemployed husband, Seok-hwan (PARK Sung-woong). When Hyun-min, a flight attendant she met during the hijacking, invites her family to his wedding aboard a luxury cruise ship, Mi-yeong eagerly proposes a family holiday. Met with indifference from her husband and daughter, she decides to embark alone, joining Hyun-min’s family and Ji-hoon (RYEO-UN), a charming magician. However, on the eve of the wedding, the celebration turns deadly when armed assailants seize the ship. After Seok-hwan and Nari are kidnapped and brought aboard, Mi-yeong discovers that she is the target of a much larger plot…

Movie Review:

Not having watched the first OK! Madam from 2020 is hardly a problem with OK! Madam: Bon Voyage. A quick recap at the beginning provides just enough context to establish that Mi-yeoung is not your average ajumma — she may look like an ordinary mother and wife, but she is very much someone you do not want to cross if you happen to find yourself on the wrong side of the law.

The sequel picks up with Mi-yeoung (Uhm Jung-hwa) heading off on what should be a relaxing holiday aboard a luxury cruise. Naturally, things do not go according to plan. When her daughter is kidnapped, the supposedly peaceful getaway turns into a chaotic rescue mission involving her unemployed husband, criminals, secret identities, old flames and plenty of fists flying. Before long, the cruise ship becomes a floating battlefield where the passengers and crew have no idea what is really going on.

Thankfully, OK! Madam: Bon Voyage knows exactly what kind of movie it wants to be. It is not interested in reinventing the action-comedy genre or delivering profound commentary. This is a popcorn movie through and through, designed to keep audiences entertained for its entire runtime — and it succeeds.

Uhm Jung-hwa is the main reason why. She is thoroughly entertaining from beginning to end, switching effortlessly between comedy, action and maternal determination. She plays Mi-yeoung with the exaggerated warmth of an ajumma auntie one moment, before throwing punches and delivering kicks the next. The contrast is part of the fun. Even when she is taking down opponents, there is an unmistakable sense that she remains a mother who is primarily concerned about getting her daughter back.

Park Sung-woong is equally enjoyable as her supportive husband, who is perfectly content to stay out of the spotlight until circumstances inevitably drag him into the action. His character's willingness to follow his wife into increasingly ridiculous situations provides plenty of laughs. One particularly amusing sequence sees him attempting to escape a ticking explosive alongside his wife's former flame, played by the more rugged Park Sung-woong — yes, the contrast between the two men becomes part of the joke.

K-pop girl group Girls’ Generations’ Choi Soo-young brings an appropriately chilling presence as the femme fatale, playing her character with a psychotic calm that makes her confrontation with Mi-yeoung all the more entertaining. Their physical exchanges provide some of the film's more energetic action moments. Ryeoun, meanwhile, is a fresh-faced presence among the more veteran cast members and adds another layer to the ensemble.

Much of the film takes place aboard the cruise ship, which conveniently keeps both the action and comedy within a relatively contained environment. Yet director Lee Cheol-ha does a good job of making the most of the setting. Corridors, cabins, dining areas and other parts of the vessel become stages for different chases and confrontations, while the story moves steadily enough that there is little opportunity for the film to become dull.

There is, of course, a certain predictability to proceedings. You can generally anticipate where the story is heading, and some of the gags are deliberately broad. But that is hardly a criticism when the movie is so clearly designed as a light-hearted escape. OK! Madam: Bon Voyage does not ask audiences to think too hard; it simply wants them to sit back, enjoy the chaos and have a good time. You may not remember every detail after leaving the theatre, but you will leave entertained — and that is mission accomplished.

Movie Rating:

(This entertaining movie is an easy choice for a trip to the cinema when all you want is to sit back, switch off and have a good time)

Review by John Li