| 
                     
                      | 1 | Prologue 
                          - The Highest Point (1.51) |   
                      | 2 | Streets 
                          Of Paris (3.11) |   
                      | 3 | The 
                          Girl With The Plums (5.28) |   
                      | 4 | Grenouille's 
                          Childhood (5.17) |   
                      | 5 | Distilling 
                          Roses (1.52) |   
                      | 6 | The 
                          13th Essence (2.29) |   
                      | 7 | Lost 
                          Love (1.46) |   
                      | 8 | Moorish 
                          Scents (5.15) |   
                      | 9 | Meeting 
                          Laura (4.14) |   
                      | 10 | The 
                          Method Works! (3.33) |   
                      | 11 | Grasse 
                          In Panie (5.34) |   
                      | 12 | Richis's 
                          Escape (4.30) |   
                      | 13 | Laura's 
                          Murder (3.06) |   
                      | 14 | Awaiting 
                          Execution (3.07) |   
                      | 15 | The 
                          Perfume (5.32) |   
                      | 16 | The 
                          Crowd Embrace (3.05) |   
                      | 17 | Perfume 
                          - Distilled (7.12) |   
                      | 18 | Epilogue 
                          - Leaving Grasse (3.01) |   
                    REVIEW  
                    When a director decides to have a hand in composing the score 
                    for his own film, you know that nothing would go wrong. And 
                    when three composers are involved in a project, you know that 
                    the result will be top notch. This 
                    is particularly true for this film directed by Tom Tykwer 
                    based on Patrick Suskind’s bestselling novel. Like the 
                    film, this 70-minute is sophisticatedly produced. Featuring 
                    the Berliner Philharmoniker and the State Choir Latvia, together 
                    with some outstanding soprano voices, the soundtrack will 
                    provide for a refined and classy listening experience. Together 
                    with Johnny Klimer and Reinhold Heil, Tywker’s has come 
                    up with an elegant sound to enhance his visually-enticing 
                    movie.  Aptly 
                    opening the album is “Prologue – The Highest Point”, 
                    which mystically introduces us to the general feel of the 
                    film with gentle harps and xylophones which are led by haunting 
                    choir voices. Incidentally, this alluring track mirrors itself 
                    with the concluding track “Epilogue – Leaving 
                    Grasse”. There 
                    are two wonderfully exceptional themes in the album. The first 
                    is initially heard in “Streets of Paris”, where 
                    a quietly careful mix of clarinets and strings makes way for 
                    a grand dose of lush strings playing a seven-note theme. The 
                    presence of this theme can be felt throughout the album. The 
                    second is seductively played out in a four-note motif accompanied 
                    by a female choir in “The Girl with the Plums”. 
                    Similarly, it’s a theme that sticks beautifully in your 
                    mind during your entire listening experience. Ultimately, 
                    the ethereal mood of this soundtrack makes a very good companion, 
                    especially if you have read the original or watched the film 
                    adaptation. It makes you feel for your senses, fittingly because 
                    the story is about the desperation of a boy who loses his 
                    sense of smell. After 
                    seeing the movie, and hearing the music on this soundtrack, 
                    this pertinence will come through even more poignantly.  
                   SOUNDTRACK 
                    RATING:      
 
 Review 
                    by John Li   |