Genre: Horror/Thriller
Director: Takashi Shimizu
Cast: GENERATIONS from EXILE TRIBE, Hayami Akari, Makita Sports, Hoshi Tomoko, Amano Hana
Runtime: 1 hr 42 mins
Rating: NC16 (Some Disturbing Scenes)
Released By: Shaw Organisation
Official Website:
Opening Day: 5 October 2023
Synopsis: The latest film by Japanese horror master Takashi Shimizu. It’s the birth of a new bloodcurdling horror queen, following the footsteps of Sadako from Ring and Kayako from Ju-On: The Grudge. Sana is a mysterious middle school girl who collects “the sound of soul”. Everyone who hears the melody gets possessed and starts to hum it themselves. At the end of the cursed melody’s chain of infections lies an unexpected terror waiting to strike…
Movie Review:
Of course it has to involve a creepy girl dressed in a middle school uniform. While we’re still at it, why not introduce a creepy tune that is played repeatedly during this Japanese horror movie that is helmed by Takashi Shimizu, who is also known as the creator of the successful Ju-On franchise. But is this movie really meant to a scary flick though? Because we also see that it is headlined by GENERATIONS from EXILE TRIBE.
For the uninitiated viewer (like this writer), the movie stars seven members of a Japanese dance and vocal group. This means that all seven guys would have more or less equal screen time for their fans, and this also means that it is very unlikely there will be any proper character development for these characters.
Not that it is needed though, because the story has it that these seven dudes are playing themselves – yes, as members of the boyband. When one of them (Hayato Komori) goes missing, a private investigator (Makita Sports) is called in to crack the case. Joining him is the band’s manager (Hayami Akari, who interestingly is a former member of the J pop girl group Momoiro Clover Z), who spends most of the time looking intrigued with the baffling incidents happening around her.
You need that one item that is responsible for delivering the scares. For Hideo Nakata's culturally significant Ring (1998), it was a cursed video tape. In this movie, it is a cassette tape found in a recording studio basement. It gives the storywriter a reason to introduce a cassette tape player, so that we can listen to a scratchy recording and hope that such a sound will not pop up when we are trying to sleep at night.
When the various characters start to hum the tune from the cassette tape player, you can predict that strange things are going to happen. People begin to behave weirdly, but no one dies. Things do not seem serious, and you don’t know whether this is leading up to something more sinister. The scare elements in this 102 minute movie are not the most vicious you’ve seen in a horror movie, and while some of them are predictable, they do a fairly decent job if you’re just expecting some mild jump scares.
Things start to take shape when the movie begins to explain who’s the voice behind that creepy tune, and through convenient flashbacks, you see an unsurprising but sad story unfold. Without saying too much, let’s just say there are people in our midst who may not be the most communicative, and we can all play a part to look out for them.
With the origin of the cassette tape being the most commendable aspect of the movie, the story isn’t doing itself a favour by bringing the focus back to the boyband, as they almost meet their doom one by one, and depending on how much you are a fan, you may be a little worried that they will be killed off on the big screen.
Movie Rating:
(There is a sad backstory amidst the obligatory plot where the boyband members are cursed by a creepy tune)
Review by John Li
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MICHAEL GAMBON (1940 - 2023)Posted on 29 Sep 2023 |
SYNOPSIS: An official selection of the 2021 Cannes Film Festival from award-winning writer/director Justin Chon, Blue Bayou is the moving and timely story of a uniquely American family fighting for their future. Antonio LeBlanc (Chon), a Korean adoptee raised in a small town in the Louisiana bayou, is married to the love of his life Kathy (Alicia Vikander) and step-dad to their beloved daughter Jessie. Struggling to make a better life for his family, he must confront the ghosts of his past when he discovers that he could be deported from the only country he has ever called home.
MOVIE REVIEW:
Justin Chon (if you are old enough, you seen him before in the Twilight movies) stars, wrote and directed Blue Bayou, a melodramatic movie about family, racial and immigration issues.
Antonio LeBlanc (Chon) who is of Korean origin is a struggling tattoo artist living in a small town in Louisiana. He is married to a healthcare worker, Kathy (Alicia Vikander), has a stepdaughter who loves him a lot and a baby daughter on the way. Beside his financial problem, he is also facing deportation from the country because his adoptive parents never filed for his citizenship.
On the positive side of things, Chon delivers a meaningful drama about this particular real-life issue that doesn’t make a lot of sense when you think about it. For a country built on immigration, the Child Citizenship Act of 2000 created a lot of issues for those who gets deported from the only country they called home since young.
Chon consulted at least five adoptees for his story not merely from an individual’s point of view but still it attracted quite a controversy when it was released. For his part, Chon unmistakeably is a talented filmmaker to watch out for. The cast performances on the whole is flawless, he knows how to frame his shots (the movie is shot on 16mm film), the movie has a real purpose as well.
But then there is the pacing issue which is hindered by one too many subplots. There’s his terminally-ill acquaintance, Parker (Linh Dan Pham) who is more of a distraction than poetic, the overzealous actions of Kathy’s ex-husband colleague, Denny who got Antonio into this predicament in the first place and a bit of absurdness in the third act. Something Chon could have tightened.
Yet Blue Bayou deserved a watch despite the occasional heavy-handedness. Interestingly, the picture boasts some of the finest visual ever for an indie movie and most importantly, a heartbreaking drama about insane bureaucratic and a compelling storyline that reflects the cruelty of life.
MOVIE RATING:
Review by Linus Tee
SYNOPSIS: Single mom Flora (Eve Hewson) is at a loss about what to do with her rebellious teenage son, Max (Orén Kinlan). Encouraged by the police to find Max a hobby, Flora tries to occupy him with a beat-up acoustic guitar. With the help of a washed-up LA musician (Joseph Gordon-Levitt), Flora and Max discover the transformative power of music. From the musical mind of John Carney, "Flora and Son" explores the bond between a mother and son on a journey toward a new harmony.
MOVIE REVIEW:
If you are a fan of Irish filmmaker John Carney, you know he uses music efficiently and effectively in his movies to tell his stories. Do check out his past works liked Once, Begin Again and Sing Street.
In his latest self-written and directorial effort, Carney tells his affecting story through the eyes of foul-mouthed, single mother Flora (Eve Hewson). She yearns to get back to the father of his son, Ian (Jack Reynor) but most of the time, she is stuck with his troublemaking, perpetually sulking teenager son Max (Oren Kinlan). One day, she finds a discarded guitar and gifts it to Max as his birthday present but Max rejects it outright and Flora subsequently finds solace in her online guitar lessons with an American, Jeff (Joseph Gordon-Levitt).
For those who are sick of Hollywood’s typical diabetic rom-coms, fret not. This is not your all too familiar, predictable romance story although there’s some amusing flirting on Flora’s part. There’s this magical connection between the aspiring music student and her teacher that adds to the narrative. Flora is at a crossroads in her life. Jeff on the other hand seems to have a chequered past as well. Two lost souls being moved, motivated and touched by each other 6000 miles away that’s the gist of Flora and Son.
There’s a quiet, moving scene involving a Joni Mitchell performance that speaks a lot about the gradual change in Flora when you realised her former self is more into James Blunt’s "You Are Beautiful" and loud dance club music. But it all boils down to the performance of Eve Hewson who completely sinks into the role of Flora, being both convincingly wacky and serious at the same time.
Carney pulls a Sleepless In Seattle never allowing Jeff and Flora to actually meet each other despite Flora’s initial intention to visit Jeff in LA. For the most part, Joseph Gordon-Levitt is charming even if it means he is barely in “physical” form here and merely strumming his guitar. To put it bluntly, we are watching him and his guitar on Flora’s screen for the most part.
Then there is the beautiful part about Flora and her wayward son and how they connect and reconcile their differences through the love of music. On the whole, Carney’s Flora and Son is yet another crowd-pleaser with its generous doses of comedy, love and dysfunctional family tropes all in a tight 90 minutes or so. It’s not that hard to fall in love with the movie and it’s even harder to resist the original music compositions.
MOVIE RATING:
Review by Linus Tee
SYNOPSIS: Tom Nichols is a hardened New England detective, unflinching in his pursuit of a case where nothing is as it seems and it begins to dismantle the illusions in his own life.
MOVIE REVIEW:
Reptile belongs to one of those rare old school detective thrillers that only an actor with the calibre and range of Benicio Del Toro can pull off.
Taking place in a small New England town, the whodunit begins with the grisly murder of a young realtor in a vacant home with the suspects ranging from her successful boyfriend, Will Grady (Justin Timberlake), a creepy stalker named Eli (Michael Pitt) who has a grudge against Will by the way and also her ex, Sam Gifford (Karl Gusman).
In comes Tom Nichols (Toro), a hardened seasoned homicide detective who has an unexplained unfortunate past in the police force in Philadelphia. Tom has a loving wife, Judy Alicia Silverstone) at home and his new boss at the station happens to be Judy’s uncle. There’s plenty of characters in this movie so you need to pay much attention.
Anyway, the slow boiler spends a lot of time with Nichols and his partner, Cleary (Ato Essandoh) as they go door to door sniffing out suspects and going through numerous suspicious numbers and contacts. At the same time, there’s a bit of intentional humour thrown in, Tom seems to be obsessed with a certain kind of kitchen faucet outside his official work, he fancies big SUVs and gets easily jealous of his much younger wife’s flirting with the contractor. At least he is not painted as a boring down-to-earth detective.
Other than that, Reptile remains tense and compelling for the most while. The apprehended killer might not be the killer after all while the drugs involved might have something to do with the murder. Tom on the other hand begins to feel paranoid as the body count grows. The narrative keeps churning out the twists and suspense that it only makes sense to stick with Tom till the explosive ending.
The cinematography, editing and writing are in top form here and it is clear that this murder mystery plays handsomely like a True Detective spinoff or as if Martin Scorsese or David Fincher has a hand in it. Instead, making his feature directing debut is veteran music director Grant Singer and Del Toro also acts as one of the movie’s producers and screenwriter.
Reptile surprisingly is a very satisfying watch even though Timberlake is probably miscast for the part. In conclusion, the less said the better for a movie liked Reptile. Is the title hinting at some cold blooded beings surrounding us? Well, some metaphors are certainly worth checking out.
MOVIE RATING:
Review by Linus Tee
SYNOPSIS: When a climber gets caught in a blizzard, she encounters a stranded stranger and must get them both down the mountain before nightfall...
MOVIE REVIEW:
Naomi Watts has survived a tsunami, befriend a gigantic gorilla and nurses a magpie all onscreen and now she is battling against mother nature again in Infinite Storm.
Watts plays Pam Bales, right from the beginning we know her as an expert in outdoor mountain climbing as she lays out all the gears she need for her hike up New Hampshire’s Mount Washington. She stops for a quick coffee top up at the camp lodge and from her conversation with the owner, we knew of an impending storm but that’s not going to stop Pam’s planned activity of the day.
Thus with minimal to no dialogue and the occasional howling windy sound effects, we follow Pam as she hikes towards her destination. Soon, she finds herself falling into a small crack though she manages to crawl out of it in the end.
Pam’s supposedly routine hike took another detour as she realises there is a man perched on the edge wearing shorts and sneakers probably suffering from frostbite and hypothermia as well. As a responsible member of the search and rescue team, Pam decides to drag this man whom she called “John” down the mountain despite his unwillingness to be rescue.
While it is based on the true story of Pam Bales, Infinite Storm suffers from a seemingly lack of direction. As a survival, disaster story sets in a vast frozen landscape, the cinematography did more than a decent job capturing both the beauty and cruelty of the alps. There’s obviously the numerous hurdles and obstacles faced as the duo tries to make their way down to civilization. No doubt Polish director Malgorzata Szumowska did a fantastic job setting up the survival part of the narrative.
But there’s more to Pam’s story that Szumowska and screenwriter Joshua Rollins wishes to explore but fails miserably. Specifically, there’s the grief issue and personal demons that Pam and John are battling at the same time. Unfortunately, there’s not enough backstory to justify their individual actions in the movie. A brief talky scene at the lodge feels more perfunctory than well-meaning that you don’t particularly feel empathized for their predicaments.
Thus is Infinite Storm, the true survival story of Pam Bales deserved to be told? While we give full marks to Watts’ performance and the intensity of the first half however the intended messages are buried under an avalanche of flimsy preaching and paper thin drama.
MOVIE RATING:
Review by Linus Tee
Genre: Horror/Thriller
Director: Kim Seong-sik
Cast: Gang Dong-won, Huh Joon-ho, Esom, Lee Dong-hwi, Kim Jong-soo, Park Soi
Runtime: 1 hr 38 mins
Rating: PG13 (Some Violence)
Released By: Golden Village Pictures
Official Website:
Opening Day: 12 October 2023
Synopsis: For generations, the eldest son of the village has been the protector, but the current heir, Dr. Cheon (played by Gang Dong-won), is a fake exorcist who doesn't believe in ghosts. Using his penetrating insight into people's minds, he performs fake exorcisms and resolves cases brought to him. However, Yoo-kyung (played by Esom), a client who can see ghosts, approaches him with an offer too tempting to refuse. With his assistant In-bae (played by Lee Dong-hwi), Dr. Cheon heads to Yoo-kyung’s house, and gets involved in a series of strange phenomena. As they delve into the mysteries there, they uncover the secrets of a talisman known as ‘Seolkyung’... A fake exorcist who doesn't believe in ghosts! Real incidents that shake his world are about to unfold!
Movie Review:
With Halloween round the corner, this South Korean movie joins the bandwagon and goes trick or treating with a protagonist that is supposed to be an exorcist of sorts. We are familiar with Western exorcist movies where the possessed individual can turn into something really scary (complete with a 360 degree head turn stunt and the ability to create an unthinkable mess with vomit). In Southeast Asia, we also have some really spooky stuff when it comes to exorcist movies (think about the really bad things that can happen in Thailand and Malaysia if you mess with black magic). Are the spirits in this South Korean movie capable of delivering spooks and chills?
We weren’t quite sure when the movie opens with the titular Dr Cheon (Gang Dong-won) making his way into a big house with his apprentice In-bae (Lee Dong-hwi) to exorcise a demon who has supposedly possessed a young girl. The two men are employed by a rich couple whose daughter is behaving strangely and doing badly at school (if you ask us, that’s probably puberty acting up). We see how Dr Cheon and In-bae rely on technology and theatrics to put up a show and almost fail because of an unforeseen circumstance. The sequence is funny and we begin to wonder whether this is a movie about the two men scamming their way through life.
The mood changes when Dr Cheon is approached by a woman Yoo-kyung (Esom) who claims that she needs help desperately. Initially reluctant, Dr Cheon is attracted by the big reward and goes to the woman’s home with In-bae. There, they see her younger sister tied pup and Yoo-kyung reveals that she can see the spirit possessing her sister’s body. Things get stranger from this point on and when one incident leads to another, we know we are not watching a comedy.
The movie directed by Kim Seong-sik is an action adventure, and the plot predictably develops into one where Dr Cheon has to deal with a traumatic experience from his younger days. The formula is familiar - the suave protagonist and his sidekick who serves as comic relief are on a mission with the female victim who a mere maiden in despair. Joining the trio is the wise Mr Hwang (Kim Jong-soo), who has a connection with Dr Cheon’s past.
With a runtime of 98 minutes, the movie moves along briskly and the action is adequately engaging. The bad guy in question manages to send some chills with his menacing scowl, and younger viewers may be taken aback by how evil spirit possesses people. But everything is still very family friendly here, as one can tell from its PG13 rating. The actors deliver decent performances amidst the frantic chase to get rid of the bad guy. There are also exhilarating scenes which will have you praying that good will triumph over evil. Adapted from the South Korean webtoon, it is very possible that this becomes a movie franchise if the box office earnings are healthy.
Movie Rating:
(A family-friendly adventure awaits in this South Korean movie that features laughs, spooks and action)
Review by John Li
Genre: Action/Thriller
Director: Terry Ng
Cast: Bosco Wong, Louis Cheung, Carlos Chan, Niki Chow, Kenny Wong, Michelle Wai, Kent Cheng, Ben Yuen, Jacquelin Chng
Runtime: 1 hr 36 mins
Rating: NC16 (Mature Theme and Violence)
Released By: Shaw Organisation
Official Website:
Opening Day: 12 October 2023
Synopsis: Seventeen years ago, triad member Chai helped his childhood best friend Meow flee Hong Kong after discovering that Meow attempted to kill Chai’s boss. Now a successful and respected triad figure, Chai runs into Meow, who has secretly returned to Hong Kong to make an honest living after working abroad as an illegal worker. Chai knows that the triad will not let Meow go if they find him. Caught in between his duty to his gang and his loyalty to his friend once again, what will Chai choose?
Movie Review:
Whereas they were a dime a dozen before, triad movies have since become few and far between in Hong Kong cinema. It is therefore with bated breath that we had awaited ‘The Brotherhood of Rebel’, a throwback to the genre that seemed to boast all its signature trademarks, including a group of actors with good machismo, a strong dose of brotherhood and a healthy dose of gratuitous violence.
Those with similar expectation will be glad to know that this thematic sequel to Daniel Chan’s 2012 ‘Triad’ does not disappoint; indeed, thanks to a surprisingly character-driven script by Ronald Chan and Leung Chung-fai, director Terry Ng’s sophomore film proves a captivating watch from start to finish, anchored by solid leading turns from Bosco Wong, Louis Cheung and Carlos Chan.
Than get distracted by the typical infighting among duelling groups within a triad, Ng keeps a tight focus on the titular trio – Chai (Wong), Mao (Cheung), and Kam (Chan) – who after assassinating a rival gang leader in the opening sequence finds favour with Yau (Kenny Wong). Their eagerness and efficiency to do Yau’s dirty work quickly help them climb up the ranks of Yau’s triad faction, with Chai soon becoming Yau’s right-hand man and the de facto leader of the three.
Their fortunes take an irrevocable turn when Mao unknowingly accepts a freelance gig as a driver for a crew of men who turn out to be out for Yau’s life. To save his own life, Mao has no choice but to run Yau over, before his passengers get out and start stabbing Yau. Chai and Kam catch up with Mao in an alley, and Chai decides to save Mao’s life by giving him a sum of money to go into hiding.
It isn’t hard to guess that their paths will cross years later, when Mao returns to Hong Kong with his pregnant wife (Michelle Wai). Given how he has been reduced to a paraplegic, Yau has ceded the running of his business to Chai, who wisely steers the organisation towards legitimate businesses. That also explains why Chai is livid when he discovers that Kam has been going behind his back to do his own illegal dealings.
Without giving too much more away, let’s just say that Mao’s return triggers a tsunami of recriminations, including and especially Yau’s wife’s (Niki Chow) determination to seek vengeance on the people responsible for the attack on Yau, even after Yau tells Chai and Kam that he knows Mao is among those responsible but is prepared to forgive him. Kam’s own ambition, greed and pride also combine to become a toxic cocktail, and it isn’t hard to guess that Kam will betray Mao and by extension Chai.
Like we said, Wong, Cheung and Chan pretty much carry the movie throughout, and it is kudos to their naturalistic performances as well as their infectious chemistry that you’ll find yourself emotionally invested in their fates. Each of the three actors brings their own to their respective roles – what with Wong being a cool and confident leader, Cheung a guilt-stricken reject, and Chan a hot-headed brute – and their commitment makes their ultimately tragic fate poignant and profound.
To his credit, Ng has a firm grasp of tone and pacing, and there is never a dull or phoney moment throughout an economical 96 minutes. It won’t replace ‘Young and Dangerous’ as the icon of the genre, but ‘The Brotherhood of Rebel’ is a solid throwback to a fast-fading, if not faded, genre of Hong Kong cinema. It is an enjoyable, even nostalgic, watch for fans all right, and will have you looking forward to the next instalment in the gangster series.
Movie Rating:
(A surprisingly character-driven tale of loyalty, ambition and circumstance, this throwback to the Hong Kong triad genre is a hot-blooded treat for fans)
Review by Gabriel Chong
SYNOPSIS: High school student Sadie Harper and her younger sister Sawyer are reeling from the recent death of their mother and aren’t getting much support from their father, Will, a therapist who is dealing with his own pain. When a desperate patient unexpectedly shows up at their home seeking help, he leaves behind a terrifying supernatural entity that preys on families and feeds on the suffering of its victims.
MOVIE REVIEW:
Not to be confused with the 2005 horror movie of the same title which actually spawned two sequels, this version of the Boogeyman is adapted from one of the Stephen King’s short stories though the similarities are scarily obvious.
While King’s original story is about Lester Billings who has lost three of his children to the creature hiding in the closet, this adaption from the guys who gave you A Quiet Place and 65 settles down on a therapist Dr. Will Harper (Chris Messina), her teenage daughter Sadie (Sophie Hatcher) and younger daughter, Sawyer (Vivien Lyra Blair from Obi-Wan Kenobi).
The Harpers are struggling in grief, the kids having just lost their mother and Will, his wife. Unfortunately, being a therapist himself, Will seems to be at a loss communicating with his daughters and instead referring them to another fellow therapist. Meanwhile, Sawyer is being haunted by a scary presence in the dark and her older sister happens to be the one who believes it is not some just wild imaginations by Sawyer. Instead, a sinister being is hiding in the dark waiting to consume the Harpers.
Since King’s original story is so skeleton and the movie version needs to be padded to at least 90 minutes or so, The Boogeyman in its final theatrical form delivers a good balance of narrative and scares to make things work. The opening prologue showing a baby trapped in a cot being terrorised by an unseen creature is wonderfully done and later on, David Dastmalchian shows up at the door of Dr. Harper being all creepy and gothic sets up the story efficiently. Dastmalchian plays Billings, the original star of King’s short story although sadly, he is only given less than 10 minutes of screentime in the movie adaptation.
Thus the entire story lies on the shoulder of Sophie Hatcher who plays the sullen, grieve-stricken teenager who can’t let go of her late mother. It’s at this point we learned that the Boogeyman preys on the hurt and vulnerable, mimics voices and is scared of the light. And it’s also from this point, the story turns from engaging to being too predictable and generic.
As per any contemporary horror movies, the movie suffers from one too many jump scares. The sound effects are top notch of course with creaking floors and closet doors. The creature is hidden for the most part if you consider this a good thing. Then there is the well-worn trope whereby a kid is trapped on the bed with the creature lurking under and in the closet, not remarkably impressive stuff. Point must be given though to the part whereby Sawyer is trapped on the couch with her playstation’s occasional emitting light saving her.
To be fair, Rob Savage’s The Boogeyman is more than a decent studio horror movie with its rich production design, atmosphere and sound design. But considering the lack of substantial explanation or folklore of the monster under the bed or inside the closet, this 2023 Boogeyman is only slightly watchable compare to the lacklustre 2005 version even if the former is based on a Stephen King material.
MOVIE RATING:
Review by Linus Tee
SYNOPSIS: When the infamous "Sweet Sixteen Killer" returns 35 years after his first murder spree to claim another victim, 17-year-old Jamie accidentally travels back in time to 1987, determined to stop the killer before he can start.
MOVIE REVIEW:
Totally Killer is crafted in the same vein as Freaky and Happy Death Day, all silly slasher comedies that never take themselves as seriously as Scream and I Know What You Did Last Summer. This latest Blumhouse production throws in a Back to the Future twist to all the mayhem without sacrificing the gore and fun.
Teenager Jamie Hughes (Kiernan Shipka) is conveniently transported back to 1987 in her friend’s makeshift time machine in order to stop a serial killer dubbed the sweet 16 killer from carrying out his first murder. But first, she needs to convince her not-so-nice mother (Olivia Holt), and her group of snotty friends of the impending killer spree before they end up being murdered.
As if to cover up their incompetency in creating a believable time-travelling flick, the movie spends lots of its time laughing and making fun of altered timeline and such. Of course, Totally Killer is not specifically a sci-fi flick as the filmmakers believe audiences are here for the slasher gags and comedy instead. That said, the movie did churned out some amusing shenanigans one after another courtesy of mother’s dumb-witted friends including Jamie’s future father and her future sports teacher.
Because it’s set in late 1980s where Bananarama and New Order are still hot on radio, there are funny jabs at racism, sexist, homophobia, weed and the amazingly lack of scrutiny and security. Those who are old enough will relate to some of the situations although Gen-Z liked Jamie will find this unbelievable so. The screenwriters even incorporate a meaningful message about loving your parents, we guess the message applies across generations and era.
While Totally Killer certainly pays homage to the 90’s slasher movies, much of the energy is confined to a few bloody kills. Thus the lack of pure thrill, suspense and low stake might be a turnoff for some who are looking for genuine scares. Still, this early Halloween offering is solid goofy fun. As the leading actress, Kiernan Shipka who stars in Chilling Adventures of Sabrina is an absolute hoot. Julie Bowen from Modern Family gets to be a scream queen aka adult Pam and Liana Liberato from Scream VI has a small role as Tiffany, one of Pam’s sex-starved friends.
MOVIE RATING:
Review by Linus Tee
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