|
BRIDESMAIDS First Look Inside FeaturettePosted on 12 Jul 2011 |
Genre: Action/Thriller/Adventure
Director: Guy Ritchie
Cast: Robert Downey Jr, Jude Law, Noomi Rapace, Stephen Fry, Jared Harris, Eddie Marsan, Mary Morstan, Geraldine James
RunTime: 2 hrs 8 mins
Released By: GV
Rating: PG13 (Violence)
Official Website: http://sherlockholmes2.warnerbros.com/
Opening Day: 22 December 2011
Synopsis: Robert Downey Jr. reprises his role as the world’s most famous detective, Sherlock Holmes, and Jude Law returns as his formidable colleague, Dr. Watson, in “Sherlock Holmes: A Game of Shadows.” Sherlock Holmes has always been the smartest man in the room…until now. There is a new criminal mastermind at large—Professor Moriarty (Jared Harris)—and not only is he Holmes’ intellectual equal, but his capacity for evil, coupled with a complete lack of conscience, may actually give him an advantage over the renowned detective. When the Crown Prince of Austria is found dead, the evidence, as construed by Inspector Lestrade (Eddie Marsan), points to suicide. But Sherlock Holmes deduces that the prince has been the victim of murder—a murder that is only one piece of a larger and much more portentous puzzle, designed by one Professor Moriarty. Mixing business with pleasure, Holmes tracks the clues to an underground gentlemen’s club, where he and his brother, Mycroft Holmes (Stephen Fry) are toasting Dr. Watson on his last night of bachelorhood. It is there that Holmes encounters Sim (Noomi Rapace), a Gypsy fortune teller, who sees more than she is telling and whose unwitting involvement in the prince’s murder makes her the killer’s next target. Holmes barely manages to save her life and, in return, she reluctantly agrees to help him. The investigation becomes ever more dangerous as it leads Holmes, Watson and Sim across the continent, from England to France to Germany and finally to Switzerland. But the cunning Moriarty is always one step ahead as he spins a web of death and destruction—all part of a greater plan that, if he succeeds, will change the course of history.
Movie Review:
Just two movies in and there already seem to be a sort of weariness about the Sherlock Holmes franchise helmed by director Guy Ritchie. Led by Robert Downey Jr. and Jude Law as the eponymous Holmes and his sidekick Watson, the sequel named "Sherlock Holmes: A Game of Shadows" completes an underwhelming transformation from cleverly kinetic and terrifically droll into a disappointingly stale and underwritten hodgepodge of loud explosions and cross-dressing humour. The chemistry between the leads, including the returning Rachel McAdams, is still there and at times holds the flimsy plotting together through mere star power but the results still vary tremendously during the span of its runtime – good scenes recalling the best of its past glories mired together with scenes searching for a decent punch-line.
Again, more than anything, this film works only on the level of a star-driven vehicle Hollywood product. Jared Harris of “Mad Men” fame joins in as Holmes’ arch nemesis, Professor Moriaty, the detective’s fiendish and formidable intellectual peer. Harris matches Downey Jr.’s presence rather well here and creates a tension that proves to be the only compelling aspect of the film. His introduction immediately elevates the material and raises the stakes of the film, which it then proceeds to regrettably minify from the height of its first act.
The film also commits itself to further egregiously waste its array of talented performers by roping in a game Noomi Rapace (“The Girl with the Dragon Tattoo”), her star still warm from the mega popular Stieg Larsson franchise back in Sweden. However, the film has absolutely no clue with what to do with her. With no real purpose other than being a foil to the bickering couple, she follows the duo on their quest to stop Moriaty from enacting his dastardly plans. And supposing that any actor playing off an eccentric and distinctive performer of Downey Jr.’s calibre will be overshadowed, the sequel also serves to highlight how Ritchie and Law still have no idea how to imbue Watson with anything resembling actual personality.
There is perhaps more than a touch of Barry Sonnenfield’s “Wild Wild West” style-over-substance syndrome here, 1999’s revisionist steampunk action comedy set in the 19th century with Will Smith and Kevin Kline in a similar buddy cop fashion as Downey Jr. and Law. What goes wrong there finds its way here – the messy and uneven direction of tone and pacing leading into absurd story threads that string together a spate visual effects together with nothing compelling in between. Ritchie brings his usual stylistic flourishes here with slow-motion belligerence, energetic set-pieces and his unfortunate career-long compulsion to immediately lighten up any moments of intensity but the sequel loses the special quality of the first film, which at least had the pleasure of discovering a revisionist universe of an iconic character. Ritchie’s pedigreed inventiveness is lacking here in how little originality the film has within its two-hour runtime by flogging a dead horse again and again – when it finds a good gag or scene, it milks it dry. The result is a film that is lifeless and uninvolving. It almost feels as if Ritchie lets the set-pieces and the actors direct the film for him instead of pulling up the reins and crafting a cogent narrative.
Movie Rating:
(Unremarkable follow-up, a dull inclusion into the franchise)
Review by Justin Deimen
Genre: Drama
Director: Mike Mills
Cast: Ewan McGregor, Christopher Plummer, Mélanie Laurent, Goran Visnjic, Kai Lennox, Mary Page Keller
RunTime: 1 hr 44 mins
Released By: Shaw
Rating: R21 (Homosexual Content)
Official Website: http://beginnersmovie.com/
Opening Day: 18 August 2011
Synopsis: When it comes to relationships, we're all beginners. From writer/director Mike Mills comes Beginners , a comedy/drama about how deeply funny and transformative life can be, even at its most serious moments. Beginners imaginatively explores the hilarity, confusion, and surprises of love through the evolving consciousness of Oliver (Golden Globe Award nominee Ewan McGregor). Oliver meets the irreverent and unpredictable Anna (Mélanie Laurent of Inglourious Basterds ) only months after his father Hal Fields (Academy Award nominee Christopher Plummer) has passed away. This new love floods Oliver with memories of his father, who, following the death of his wife of 45 years, came out of the closet at age 75 to live a full, energized, and wonderfully tumultuous gay life At once deeply personal and universal, Beginners was inspired by Mike Mills' own father and is meant in turn to inspire everyone weighing their chances and choices in life and love.
Movie Review:
In its series of intertwining, cross-generational stories between fathers and sons, "Beginners" achieves a striking tone in its trenchant melancholia and stirring uplift. There's more than a sense that the film's writer and director Mike Mills pulls more than just the details and premise from his life to create the carefully constructed screenplay but an actual essence of his rediscovered identity. He brings to this an unguarded and acute emotion, which, again and again, turns the quirky and the goofy into something quite surprisingly beautiful.
Though largely fictionalised, Mills based this film on his father's story of coming out late in his life and the existential impact it had on his life. His surrogate here is Oliver, played by Ewan McGregor. He with the soft eyes and winsome smile, both charmingly utilised here by Mills. Shortly after his father's death, Oliver meets Anna (Mélanie Laurent), a beautiful actress at costume party. They have a meet-cute involving a notebook and laryngitis -- just as they tend to happen. A promising relationship begins to blossom, and then falter -- again, just as they tend to happen. Mills weaves in two other flashbacks into this narrative, deftly forming a portrait of the memories that bind us to our inner natures and to the way we perceive the world and our relationships.
In the film's hazy shots and oneiric complexion, we are put squarely in the mindscape of Oliver's inquiring spirit. One of the flashbacks involves Oliver's septuagenarian father Hal, indelibly played by a magnificent Christopher Plummer. Just after losing his mother six months ago, Oliver know learns that Hal is diagnosed with cancer. And that his father has also decided to announce that he's gay and that he's known for years but had came to an arrangement with his mother during their marriage. The other flashback involves Oliver's childhood, which opens a window into his parents' marriage, forcing Oliver into reconsidering the many aspects of marriage and relationships as well as navigating through the myriad of contradictions inherent in our notions of happiness and love. This is Mill's celluloid therapy of his emotional dislocation and he opens up the wounds for the world to see.
At the heart of this film's gentle rumination is a tender space inhabited by the newly aligned relationship between Hal and Oliver. A sense of the inevitable is laden within the scenes the characters share. The film never makes Hal's mortality a secret. When we are in the present with Oliver, we see him cope with the grief of losing his father as his memories -- these fragments of lives once lived -- informs his outlook on the different aspects of his life. It's a common subject brought to new levels of sincerity and importance because of the deeply felt and recognisable humanity. Just as the title suggests, a beginning opens up with Anna but Oliver only knows to recognise it with Hal's own late blossom into a new life with his May-December romance with a new man (Goran Visnjic).
Mills has found a sweet spot of autobiographical catharsis that is never banal and never manipulating but instead heartfelt and serenely humourous. It uncovers the truths of the human paradox and how these mysteries when fully cognitive, tends to tie into a world around it as it precedes and predates other facets. "Beginners" contextualises and eases through the functions of lessons learnt and imparts wisdom -- a revelation of ourselves and the people around us as we examine our memories through the filter of our continuum of experiences in the grief of loss and the joy of rediscovering. COMING SOON
Movie Rating:
(One of the best films of the year)
Review by Justin Deimen
SYNOPSIS: Mysteries keep revolving around TAM's life. Not only does the ex-police officer and now private detective struggle to make sense of the mysterious death of his parents, TAM is entangled in a case which escalates out of control into serial killings since his childhood buddy FUNG showed him some crime scenes photos. Pressure runs high as more people are being dragged into the serial murders - a man is found dead in his home, a female body is dumped in garbage dump and a teenage girl died of uncertain cause. All the clues indicate that the murderer is a psychopathic killer. Can TAM find the real killer and solve the case?
MOVIE REVIEW:
If you asked us whether Aaron Kwok can be taken seriously as an actor some twenty years ago, we would tell you: “No.” If you asked us whether the handsome Hong Kong singer actor can be taken seriously as an actor some ten years ago, we would tell you hesitantly: “Well, maybe.” Now, if you asked us whether the award winning artiste can be taken seriously as an actor, we would tell you confidently: “Yes.”
And why do we know that? Well, Kwok has been on an accelerated course to prove that he can be taken seriously as an actor. How else would you explain the intense performances in films like Divergence (2005) and After This Our Exile (2006)? These two films won Kwok two consecutive Golden Horse Awards, an achievement that was only accomplished by fellow Hong Kong actor Jackie Chan in 1992 and 1993.
So now that the Heavenly King has established himself as a credible actor (we understand movies like The Storm Warriors help to bring in the moolah), why is he still taking on movie roles which require him to give it all like there’s no tomorrow?
In this sequel to the 2007 movie, Kwok reprises his role as a private investigator hired to track down a series of murders. If you had watched the first installment (Kwok was nominated for Best Actor at the Hong Kong Film Awards for his showy acting), you would know there are supernatural elements involved. After all, it takes place in Thailand (director Oxide Pang’s hometown), where such horror tales are a dime a dozen.
For those familiar with Pang’s filmmaking style, the ostentatiously flashy approach wouldn’t come as a surprise here. Expect fancy editing, loud sound effects and unconventionally framed visuals. This style actually works in the movie, as you’d be tagged along as Kwok’s character fumbles around to solve a mystery that involves some really gruesome murders. The story isn’t the highlight here, as there’s not much to expect in terms of originality.
After an hour into the 101 minute movie, you would have figured out the twist in store. What we feel commendable, are the cast’s performances.
Kwok aside (if you have seen one intense performance from him, you would have seen it all), supporting actors Liu Kai Chi, Patrick Tam and Eddie Cheung also deliver praiseworthy performances in this engaging movie. Liu and Kwok display a nice on screen camaraderie which reminds us of the old school Hong Kong cop dramas. Tam’s role requires him to be an unlikable superior, and he personifies that role well. Veteran Cheung plays a psychologically unstable criminal, and manages to steal the limelight in every scene he’s in.
Original or not, you can bet this is one entertaining movie that will keep you occupied for a good one hour and forty minutes.
SPECIAL FEATURES:
The Code 3 DVD includes only a Trailer.
AUDIO/VISUAL:
The movie’s visual transfer is fine, and is presented in a dubbed Mandarin soundtrack.
MOVIE RATING:
DVD RATING :
Review by John Li
SYNOPSIS: Since she became a flower girl at the age of eight, JOEY has been in love with the idea of finding that special man and being his bride. So much so that she got a job as a video consultant at the Wedding Education Department (W.E.D.). There, Joey shares the art of getting and marrying a man, through her romantic 'faux' wedding videos, which are screened to young singles all over Singapore. But the idea of fantasy and reality are blurred as Joey falls madly in love with GIN, a handsome music teacher from Taiwan. Will Joey's relentless drive to restore the happiness and joy she once knew also be her ultimate failing and undoing?
MOVIE REVIEW:
Whereas ‘Gone Shopping’ dealt with the issue of solitude, Wee Li Lin’s sophomore feature ‘Forever’ takes on the subject of marriage and companionship- albeit in a satirical fashion. Indeed, the former director of promotional videos for our own Government dating agency, the Social Development Network (SDN) or formerly SDU, parodies this very organisation by setting up her lead character as an employee of the equivalent Wedding Education Department (or WED for short).
Joanna (local singer/ theatre actress Joanna Dong in her feature film debut) is a single 27-year-old female whose job at WED is to supervise the production of videos that champion the joys of matrimony. Ironically, like Joanna, most of her colleagues at WED are single, and could very well use some help in the dating department. But Joanna is slightly better off- she has her eyes on a guy, Gin Lee (Mo Tzu-Yi), a secondary school music teacher from Taiwan who starred in one of her videos.
Problem is Gin is in fact already engaged, though that seems not to be a deterrent for Joanna, seeing as how she still makes her advances at him. What’s worse is she even decides to go to the extent of hatching a plot with an amateur videomaker TK (Kenny Gee) to create rifts between the soon-to-be married couple, in the hopes of breaking up their upcoming nuptials. If you’re thinking that this doesn’t sound like a typical rom-com, you’re absolutely right.
Despite the bright colour palette used in the shots and also the film’s promotional poster, this is a surprisingly dark take on one person’s obsessive crush for another. Joanna’s delusions about Gin are disturbing to say the least, and her character’s denouement only further emphasises that she is suffering from a condition worthy of diagnosis. This also means those expecting humour- dark, light or otherwise- should look elsewhere, for this is in truth very little here to tickle your funny bone.
Rather, Li Lin has created a dramedy that takes more than the occasional potshot at marriage and dating in the Singapore context. Joanna’s Gen-Y character is especially unusual, given how her peers are usually turning their noses up at the notion of settling down. But despite these quirks, the film never manages to find a comfortable voice for itself, as the whimsical tone Li Lin adopts sits ill at ease with the darker aspects of Joanna’s psychosis. One could even say that the film suffers the same delusions as its lead character, attempting to project a happy cheerful exterior in spite of its darker, more threatening undercurrents.
As the infatuated protagonist, Joanna makes an admirable big screen debut, but her performance lacks depth to portray fully the complexities of her character. Tzu Yi fits the heartthrob role nicely, but it is essentially a one-note performance that doesn’t demand much from the actor. What stands out however is the beautiful art direction and cinematography of this film, which is perhaps one of the best seen in a local work for a long time.
Still, ‘Forever’ is an odd film that tries to be different from the typical rom-com, but doesn’t quite have enough bite to be a satirical dark comedy. Credit however must go to Li Lin for constantly pushing the envelope at trying to examine social issues in our island city through her movies. A stronger script and a more consistent tone would have certainly helped the film, which is otherwise patchy and quite forgettable.
SPECIAL FEATURES:
There is a standard ‘Making Of’ featurette which allows you to further appreciate the art direction that went into the beautiful images you see in the film. Otherwise, you may also check out the Photo Gallery or the wistfully filmed MTV sung by Joanna.
AUDIO/VISUAL:
The Dolby Digital 2.0 reproduces the dialogue and the music of the film clearly. Visuals are clean and colours look dynamic.
MOVIE RATING:
DVD RATING :
Review by Gabriel Chong
Posted on 31 July 2011
SYNOPSIS: Mickey Haller (Matthew McConaughey) is a Los Angeles criminal defense attorney who operates out of the back of his Lincoln sedan. Haller has spent most of his career defending garden-variety criminals, until he lands the case of his career: defending Louis Roulet (Ryan Phillippe), a Beverly Hills playboy accused of rape and attempted murder. But the seemingly straightforward case suddenly develops into a deadly game of survival for Haller. Based on the best-selling novel by Michael Connelly.
MOVIE REVIEW:
If you can recall, Matthew McConaughey is somewhat a fine actor in his early stage of his film career. At the very least, he got everyone’s attention in a fine performance as a lawyer in “A Time to Kill” and as a young attorney in the Spielberg’s period drama, “Amistad”. Coincidentally, both were legal dramas.
Over the years, audiences forgot Mr McConaughey can actually act as he is now more well-known for flashing his abs and starring in countless rom-coms than anything else. “The Lincoln Lawyer” marks a return to his ‘roots’, starring as Mickey Haller, a lawyer that practices his trade in a Lincoln, thus the title. Taking on a case of a rich playboy, Louis Roulet (Ryan Philippe) who is being accused of savagely beating up a prostitute and attempting murder, Haller finds himself entangled in a case that is more than meets the eyes.
Based on a Michael Connelly’s novel, “The Lincoln Lawyer” is a perfect enjoyable crime drama that offers a decent plotting without getting too heavy-handed. While I haven’t laid my hands on the paperback, I guess no matter what the outcome, the novel will always end up the better material. Writer John Romano turns in a script that flows predictably and the so-called twist is not gripping enough for you to rewatch and examine the drama to be honest. This is not to say “The Lincoln Lawyer” is a bad movie, in fact the pacing is brisk and compelling and the courtroom drama is kept to the minimum without ending up as a soapy TV drama.
The cast members that are rounded up here is of top-notch pedigree and nearly everyone is a familiar face of sort if you are a seasoned fan of Hollywood fare. First, the ever reliable William H. Macy plays long-haired private investigator Frank Levin, buddy to Haller and this weird pairing is delicious to watch, you simply hope for second helpings immediately after. Oscar winner Marisa Tomei is pitifully wasted as the ex-wife of Haller. The usually wooden Ryan Philippe puts in a reverting performance, if not the best in his limping career so far. The list goes on with Josh Lucas playing prosecutor Minton, John Leguizamo and Michael Peña. However, no one is able to overshadow Matthew McConaughey’s streetwise Mickey Haller, his cocksure smirk; his Texas slang and his charismatic delivery of those courtroom lines resurrect him once again as a credible actor.
While not exactly mould-breaking, this second feature by Brad Furman (who did the direct-to-video “The Take” with Leguizamo) is an engaging thriller in the league of John Grisham’s earlier movie adaptations such as “The Firm”. It’s a guilty-pleasure with solid performances throughout.
SPECIAL FEATURES:
Making of is nothing but minutes of B-roll footages. Interviews with Cast and Crew is a rather boring dry segment unless you are very into the movie. The DVD also comes with Trailers and a Photo Gallery .
AUDIO/VISUAL:
The Dolby Digital 2.0 is somewhat a disappointing audio format though it serves its master well right here since there isn’t much robust activities to talk about. Dialogue is clear while the video presentation is striking and the oversaturated look of L.A. is finely-showcased.
MOVIE RATING:
DVD RATING :
Review by Linus Tee
SYNOPSIS: Beastly is a teen romance about learning how to see past false surfaces to discover true inner beauty. Seventeen year old Kyle (Alex Pettyfer) is the spoiled, shallow and incredibly popular prince of his high school kingdom. Entirely captivated and empowered by his own physical appearance, Kyle foolishly chooses Kendra (Mary-Kate Olsen), a goth classmate rumored to be a witch, as his latest target for humiliation. Unfazed by his cruel behavior, Kendra decides to teach him a lesson outside as he is on the inside. Now he has one year to find someone who can see past the surface and love him, or he will remain “Beastly” forever. His only hope, an unassuming classmate he never noticed named Lindy (Vanessa Hudgens), may be his best chance to prove that love is never ugly.
MOVIE REVIEW:
“Beastly” is basically a shameful, cash-in product designed to sell tickets to feed the younger generation who grew up on a diet of “Twilight” and “Gossip Girl”. Unless you are a teen girl, there probably isn’t anything you will find remotely interesting here.
A modern spin on the classic “Beauty And the Beast” fable and based on a 2007 young adult novel by Alex Flinn, “Beastly” tells the story of a rich, popular, good-looking teenager Kyle (Alex Pettyfer from “I Am Number Four”) who is being cursed by a witch (played by the gothic-looking, one-half of the Olsen twins, Mary-Kate) for being a selfish jerk who only looks at one on the surface. Kyle has only one year to find his true love to break the curse or he will remain forever with his newly found scar-filled, bald features.
The script by writer/director Daniel Barnz is wafer-thin, corny and has no desire or whatsoever to lift itself out of its doldrums. It takes us 11 minutes to watch how Kyle got his curse and the rest of the 69 minutes trying to win over his true love, Lindy (Vannessa Hudgens from Sucker Punch and High School Musical). Exposition is not a must it seems and there is apparently a major sub-plot which involves Lindy’s drug-addicted father that is utterly omitted at the end even if one of the characters utter something similar to “I will be back”. Kyle’s equally fame-obsessed TV-anchor dad is sidetracked as well including the mysterious ‘witch’ character. Where did this girl come from anyway? Hogwarts?
The movie is only committed to bring across its messages- ‘Love Is Never Ugly’ and ‘inner love’ across, ironically cameras are permanently pinned on Pettyfer’s abs and Hudgens’ close-ups. And if a man is willing to read a poem aloud, build a greenhouse for you and bring you to a midnight excursion to the zoo, I guess looks no longer matters. That teeny weeny hint of spark comes from Neil Patrick Harris’ Will, the blind tutor engaged by Kyle’s dad. His doses of wisecracks at least spice up the romance flick and kill your boredom.
Filled with one-dimensional characters and endless clichés, “Beastly” is another low-budgeted flop from CBS films. Save up your dollars, the 1991 Disney animated feature is good enough to sustain us through the 21st century.
SPECIAL FEATURES:
NIL
AUDIO/VISUAL:
The visual quality looks as good as Alex Pettyfer and the Dolby Digital 2.0 is sufficient for the dialogue-laden and contemporary pop music filled soundtrack.
MOVIE RATING:
DVD RATING :
Review by Linus Tee
SYNOPSIS: Marine staff sergeant (Aaron Eckhart) and his platoon take on an enemy unlike any they've ever encountered when hostile alien invaders attack the planet in this epic sci-fi action film.
MOVIE REVIEW:
War movies and Alien invasion are no doubt the most popular genres in today’s contemporary cinema. Thus it comes to no one surprise that someday, someone is going to marry the two in one movie.
The promising viral campaigns talk about documented cases of UFO sightings around the world. But when the actual movie turns out, it’s nothing that will make you gape in awe, it’s simply a straight-forward shooter video game-inspired war flick that will bore you after the first hour or so.
Aaron Eckhart plays SSgt Nantz who together with a newbie 2nd Lieutenant William Martinez (Ramón Rodríguez), leads a platoon to rescue a group of civilians hidden in a police station when the Aliens came attacking L.A. The whole setup clearly is inspired by much better war movies such as “Saving Private Ryan”, “Black Hawk Down” and even the Oscar-winning "The Hurt Locker" and the only difference is Director Jonathan Liebesman (The Texas Chainsaw Massacre: The Beginning) threw in weird-looking aliens as the enemies. The documentary-style of shooting (in short: shaky) definitely is more a hinder than anything else as you basically won’t be able to differentiate the invaders amidst the smoke which for info resemble a bunch of Star Wars’ rejected droids.
For the most part, Liebesman is adept at creating tension and his ability to deal with pyrotechnics is commendable. The first attack on the platoon through the backyard of residences said it all and the subsequent attack on the escaped bus sealed the credibility of Liebesman as a competent director in the league of Michael Bay. Yet with a half-baked backstory involving Nantz as a troubled Iraq veteran and the inclusion of civilians liked Bridget Moynahan helping to dissect a wounded alien and Michael Pena’s fatherly character adds nothing to the overlong, empty scripting.
Eckhart is a fine actor and his career choices have been pretty interesting over the years. It’s refreshing to see him stretching his action muscles a little. Michelle Rodriguez on the other hand appears once again as a military soldier (Remember Avatar?) and I don’t really detect much of a sweat from her. Other notable cast members are R&B singer Ne-Yo who appears as a geeky marine together with Lucas Till from X-Men: First Class.
'Shout-Fire-Run-Insert News Clips'. Repeat. Certainly “Battle: Los Angeles” isn’t going to receive nods from the Academy. It’s the sort of movie that appears more to fans of videogames such as Halo. Neither the sci-fi portion nor the action pieces actually interest me by the end of it. And please next time, don’t rip off a much superior war movie liked “Black Hawk Down”.
SPECIAL FEATURES:
Behind the Battle – The main cast members and crew talks about filming this war-against-aliens movie in this brief 6 minutes segment.
Aliens in LA – A 17 minutes look at creating the look of the invading and weird-looking aliens in the movie.
Preparing for Battle – Another brief look at the physical challenges and stunts faced by the actors.
Creating L.A. in LA – Instead of L.A., Louisiana locations are used for shooting instead. This feature takes a look at the dressing of the sets.
AUDIO/VISUAL:
The Dolby Digital 5.1 is the perfect track to showcase the ferocity of the movie. Action fans will love the strong firing of weaponry and explosions across the speakers and overall matches well with the equally detailed images of the video presentation.
MOVIE RATING:
DVD RATING :
Review by Linus Tee
|
COWBOYS AND ALIENS FeaturesPosted on 15 Jul 2011 |
|
Introduction of PG13 as a New Classification RatingPosted on 15 Jul 2011 |
| « Prev | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | Next » |
Most Viewed
No content.