| In 
                    Japanese (English & Chinese Subtitles) Genre: Drama
 Director: Takeshi Kitano
 Starring: Takeshi Kitano, Kotomi Kyono, Kayoko 
                    Kishimoto, Ren Ohsugi, Susumu Terajima
 RunTime: 1 hr 48 mins
 Released By: Cathay-Keris Films & Lighthouse 
                    Pictures
 Rating: M18
 Website: 
                    http://www.office-kitano.co.jp/takeshis/
 Opening 
                    Day: 9 March 2006
 Synopsis 
                    :
 Beat Takeshi lives the busy, 
                    and sometimes surreal, life of a show biz celebrity. But his 
                    blond lookalike named Kitano, a shy convenience store cashier, 
                    is still an unknown actor waiting for his big break. After 
                    crossing paths with Beat and a series of frustrating auditions, 
                    Kitano seems to mysteriously fall into a fantasy state highlighted 
                    by aspects of Beat's real life and violent onscreen persona... Movie 
                    Review:
                    
 Do you sometimes fantasize about how your life could be like, 
                    if you were someone else, someone more successful? And how 
                    you picture events played out where you're the everlasting 
                    hero who gets the girl (or guy)? Sound familiar?
 Takeshi 
                    "Beat" Kitano is one of Japan's multi-talented director-writer-actor, 
                    and in Takeshis', he plays not one, but two different characters 
                    in a tale of such fantasy. As a larger than life version of 
                    his successful self Beat Takeshi, he hams it up as the acclaimed 
                    actor with his posse of manager and girlfriend in tow, celebrating 
                    in his success in show business. However, 
                    Takeshi's focus is on his other character, that of Kitano, 
                    a convenience store employee who harbours a dream to make 
                    it big in show business one day. He seems to have absolutely 
                    no luck with various auditions for simple roles, but from 
                    his disappointments come fuel for his rich imagination, especially 
                    when looked down upon by Beat Takeshi somewhat. Still 
                    with me up to this point? Good, because the movie thereafter 
                    become a kaleidoscope of events that crosses the boundaries 
                    of "real", "reel" and "was-that-made-up?". 
                    The editing style will probably leave you wondering what really 
                    is, and is not. There are clues provided though, but not much, 
                    ranging from the obvious hair colour, to the logical transitions 
                    between scenes and events, even to illogical happenings. There 
                    are many references in this movie from Takeshi's past works, 
                    but perhaps the most identifiable is the yakuza character, 
                    which is given the most screentime here. Though it gets a 
                    bit repetitive, what with its poetic slow motion gun battles 
                    with empty shells flying out of the chamber, and the cold 
                    blooded violence, it numbs the audience and having to dislike 
                    
                    something is to have it done repeatedly until nauseating. There's 
                    an ensemble cast in the movie who add colour to the challenging 
                    plot, like the girlfriend, the female stalker, an aunty-character 
                    who thinks Kitano owes her a living, 2 super-sized extras, 
                    the yakuza, and the list goes on. But what holds them all 
                    together are the Takeshis', and the thrill of having see some 
                    characters in different light, and in different scenarios. 
                    Kitano draws inspiration from, and fits into his world the 
                    people he encounters, and in most there always seem to be 
                    a comical angle. It's 
                    not an easy act to follow, though if you try, you'll probably 
                    find certain joy from single acts 
                    which can stand alone. And that's perhaps one of the best 
                    ways to enjoy the movie, feel it, and don't get the least 
                    perturbed if certain events that transpire seem to dance around 
                  perceived timelines. Movie 
                    Rating:    
 (Mesmerizing 
                    shades of Beat Takeshi caricatures in his multi-dimensional 
                    fantasy) Review 
                    by Stefan Shih   |