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Genre:
Comedy
Director: Kevin Smith
Starring: Brian O’Halloran, Jeff Anderson,
Rosario Dawson, Trevor Fehrman, Kevin Smith, Jason Lee, Wanda
Sykes
RunTime: 1 hr 50 mins
Released By: GV
Rating: R21
Official Website: http://www.clerks2.com/main.html
Opening Day: 1 Feb 2007
Synopsis
:
At
the age of 33, New Jersey mini-mart clerks and best friends
Dante Hicks and Randal Graves have it made - they work with
each other, slack off all day, and get paid for it. But when
the local Quick Stop that has been their entire life and livelihood
suffers a cataclysm, Dante and Randal have to do the unthinkable:
find new minimum-wage jobs.
Movie
Review:
Almost everyone is familiar with the indie sensation, “Clerks”
that transformed Kevin Smith from a struggling new director
into a cult hero amongst detached and world-weary young adults.
If not there’s always “Chasing Amy, “Mallrats”,
“Dogma” and “Jersey Girl” (which I
believe even Smith wouldn’t even want mentioning). No
longer an unknown quantity, we pretty much know about his
modus operandi in his movies. With a repeating menagerie of
quirky slackers and his incredible knack for persuasive patois,
it’s much like observing cinematic vaudevillians staging
hijinks in everyday situations.
Indeed,
Smith still preaches the same iconoclastic ideals in his entire
oeuvre as he did in his debut. Now he returns to his most
beloved stomping ground in the View Askewniverse with his
tried and trusted caboodle of key characters in Dante (Brian
O'Halloran), Randal Graves (Jeff Anderson), Jay and Silent
Bob (Jason Mewes and Kevin Smith). He brings aboard veteran
(in these circles at least) performer, Rosario Dawson as Becky,
Dante and Randal’s boss at their new burger flipping
jobs, and Smith also brings along a couple of new performers
in Trevor Fehrman and Jennifer Schwalbach (Smith’s wife),
who are unfortunately the weakest links in this retrospective
self-justification.
What
“Clerks II” has going for it is its vintage, ubiquitously
ribald humour being delivered and scripted by its master vulgarians
who don’t seem to have missed a beat even a decade on.
It’s pretty much a jazzed up (budget wise), more sophisticated
jaunt with its manchilds through the tedium of minimum wage
jobs, all in the space of a day. More elaborate gags, unconstricted
by singular locales and a much more rounded soundtrack are
welcome additions. “Clerks II” has substantially
more plot than its predecessor, making the humour and characters
much more significant in their presence, not just participants
in episodic events staged about specific punchlines. This
obviously offers a chance to craft a suitable bookend to the
lives of these characters as well as possible openings for
further ventures in the future.
Randal
takes the centre stage in this film, much like Dante did in
“Clerks”. He’s possibly the best and most
elevated character within the cartoon cutouts that the rest
of his cadre appear to be. He’s the biggest manchild
of them all but also the one who seems to be the most self-aware
about his situation, keeping his insecurities hidden just
long enough to belt out another diatribe to strangers about
the changing world that is adamant on leaving him behind.
Compare this to the uneven characterisation of Randal’s
fellow burgershack colleague, Elias (Trevor Fehrman) who’s
a devout Christian, a “Lord of the Rings” and
“Transformers” fanboy virgin that happens to believe
the most inane lies told to him by his peers. Oh, and he’s
also a mama’s boy.
Perhaps
the most unforgivable misstep for Smith would be his indecisiveness
in actually settling on a message. 10 years ago, leaving it
open was a great setpiece for the rest of Dante and Randal’s
stunted lives. But how was he to know that he’ll be
revisiting the Quick-Stop once more and now, conclusion is
needed especially in the midst of potentially life-changing
revelations.
Movie Rating:
  
(Smith’s stroll through his past brings back the laughs
that’s unseen in his later works, but leaves a lot of
the heart behind in lieu of loftier ambitions)
Review
by Justin Deimen
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