Genre: Drama
Director: Kim Ki Duk
Cast: JEON Sung-hwan, HAN Yeo-reum and SEO
Ji-seok
RunTime: 1 hr 30 mins
Released By: Cathay-Keris Films
Rating: NC-16 (Some sexual references)
Released Date: 6 October 2005
Synopsis:
The film "The Bow" is Kim Ki-duk's 12th work. The
main backdrop of the film is an unmapped island and a boat
floating near the island. Living together in this boat are
a young girl just showing signs of budding breasts and a hale
60-year old man who is fit and healthy for his age. "The
Bow" is a weapon that the old man uses to protect the
girl from younger men on the island. The film portrays the
love between the old man and the girl.
Movie Review:
There is a very fine line between an artistically symbolic
film and a pompously pretentious one. Kim Ki-duk is one director
who has treaded this line very well. The Korean auteur has
starkly brought out the ugliness in human nature in Bad Guy
(2002), tranquilly tackled the notion of religion in Spring,
Summer, Fall, Winter... and Spring (2003), and heartbreakingly
told a story of lost innocence, guilt and redemption in Samaritan
Girl (2004). In his 12th film, the visionary director once
again wows us with his ability to tell so much by showing
so little.
Like
all of Kim’s previous works, the premise is a simple
one. The entire 90 minutes of the film is set in an open sea.
An old man lives with a young girl in a fishing boat, which
is rented to fishermen in the day. The 60-year-old keeps a
bow, which he uses to warn off lecherous men who ogle at the
young girl. Other than using it as a weapon, he also uses
it brilliantly as a musical instrument and a tool for fortune
telling.
All
this while, the old man has plans to marry the young girl
when she turns 17. Everything seems to go well for him until
a young college boy appears on the boat one day, attracting
the young girl’s attention. From this point on, the
balance on the peaceful seas is dangerously tipped.
To
many movie-goers, this plot may not make much sense. But if
you are in the mood to challenge your mind with something
intelligently symbolical, this film is definitely for you.
It
is worth mentioning that the characters in the director’s
films do not talk much. In this one, the old man and the young
girl do not have lines at all. They do not even have proper
names to begin with. It takes a crafted storytelling master
like Kim to pull off something like this.
Putting
it simply, the film is about the possession of love and the
ability to move on. Looking at it from various other levels,
it is about mankind’s universal feelings of hope and
desire. This notion is further explored in how ugly, beautiful,
heartrending, dignified and blissful these human thoughts
can be.
Sounds
too alienating? Do not worry, because the film has a surreal
Zen ability to connect its viewers on a universal sense. You
will feel as though you have known yourself better after the
credits roll. In fact, you may even spend the next few days
thinking about it, or simply reliving the images that remain
in your mind.
Because
of its setting on the sea, the visuals are naturally a joy
to look at. The calm waves of the vast waters, the Buddha
painting on the bobbing boat and the colourful pieces of cloth
tied around the boat are just some pictures that will have
soothing effects on any viewer. The gentle fiddle music composed
by Kang Eun-il is also enchanting to listen to. Because of
this pleasant-sounding score, some may find this as Kim’s
most accessible film to date. All these are coupled with the
director’s ingenious method of story-telling through
gazes, actions and metaphors
Jeon
Seong-hwang and Han Yeo-reum are perfectly cast as the protective
old man and the nymph-like young girl. Although they have
no dialogue throughout the film, their looks and expressions
are powerful enough to make audiences relate to their characters.
At
this juncture, you may be wondering: what role the titular
bow plays then? Like most art house flicks, something like
this is open to interpretations. The creative director simply
objectifies its different uses to represent larger issues
at hand. This is where the film invites you to feel and think
along with it.
As
with the amazing director’s previous films, the open
ending will leave you in complete awe. Long after you step
out of the theatre, you will still be thoughtfully reflecting
on your own values.
Movie
Rating:
    
(An
intelligent film that offers a tranquil and surreal cinematic
experience you will never forget)
Review
by John Li
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