FLY: SONGS INSPIRED BY THE FILM EDDIE THE EAGLE (2016)

When was the last time you read the liner notes for a CD? This reviewer was glad he flipped open the booklet tucked snugly into this album’s jewel case. Penned by Gary Barlow, the frontman and lead vocalist of British pop group Take That (Back for Good! Relight My Fire! Never Forget!), the notes recount how he came on board the project to curate a soundtrack of original songs recorded by the who’s who of British pop acts during the 1980s.

It is very heartening to know that this is not another album containing a convenient lineup of songs from the 1980s. Even more amazing is how these new recordings sound like music from the good ol’ eighties (yup, this writer grew up in that lovely era).

There's an authentic, specific style of singing from the 13 songs in this CD. If you are familiar with music from that period, you’ll recognise the distinctive ‘manly’ sound accompanied by a retro electronic programming. The drum machines and the synthesisers complement the voices to give listeners a fluffy feeling we don’t get from much of today’s emotionally crippling music.

The album opens the dramatically inspiring “Ascension” by Holly Johnson – the climax is unaplogetically 1980s, and it’ll leave you smiling. Elsewhere, there are songs like “Out of the Sky” by Marc Almond and “Living Inside My Heart” by ABC which also reflect the style and vibe of that time. You’ll also have an indulgingly nostalgic time listening to “Moment” by Tony Hadley and “Touching Hearts and Skies” by Midge Ure.

A pleasant surprise comes in the form of “Thrill Me” written by Gary Barlow and Andy McCluskey, and performed by the movie’s main leads Taron Egerton and Hugh Jackman. The over the top dance track is a guilty pleasure you’ll want to put on repeat mode. The album closes with the feel good “Eddie The Eagle Theme” composed by Matthew Margeson, fondly reminding us why we love the 1980s so much.

ALBUM RATING: 

Recommended Track: (13) Thrill Me - OMD featuring Taron Egerton & Hugh Jackman

Review by John Li

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