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Genre: Drama/Romance
Starring: Fiona Sit, Jaycee Chan, Hiro Hayama, Patrick Tang
Wong Chun Chun
Rating: PG
Year Made: 2010




- Making Of




Languages: Cantonese/Mandarin
Subtitles: English/Simplified Chinese/
Traditional Chinese
Aspect Ratio: 1.73:1
Sound: Dolby Digital 5.1 Surround
Running Time: 1 hr 55 mins
Region Code: 3
Distributor: Simply Fun




Have you just been dumped? What if there was a website that could get your loved one back? There is! It's called BreakupClub.asia. All you have to do is break up another couple that are happily in love. Just fill in their names, and voila! Would you do it? Our hero Jaycee is at the computer, about to press [ENTER]. Ever since he told the director, Barbara Wong, about the Breakup Club website, Jaycee has been filming himself to prove the existence of the website. But unbeknownst to him, both his best friend and the director have been filming him secretly. Through multiple first-person point of views, and blending the real with the fictional by featuring real people including the director and the crew as themselves, we watch Jaycee find and lose, and perhaps find love again.


The title of the movie refers to a website where heartbroken lovers can go to enter the names of another couple they know whom they want to see broken up, just so they can get back together with the one they love. It’s a gimmick, just like director Barbara Wong’s decision to film this movie verite-style, combining handheld cameras and other documentary-style techniques to chart the ups and downs of one young couple, Joe and Flora.

As played by Jaycee Chan and Fiona Sit- rumoured to be dating in real life- both gimmicks actually pay off surprisingly well. For one, Jaycee and Fiona, in their second onscreen pairing since “2 Young”, are pitch-perfect in their roles. They share a genuine chemistry in every one of their scenes together, making you believe almost effortlessly of their love for each other. They are also perfect for their roles because neither of them is particularly attractive, or good-looking, so it isn’t hard for us audiences to relate to them.

Which really is the point of the film, as Barbara opts for a modern-day realistic look at dating and relationships among young adults. Joe is a twenty-something slacker, his lack of commitment at holding a job, finding a permanent one, and figuring out what he wants to do with his life is causing problems with his girlfriend Flora. Their first altercation leads Joe to discover the website, and finding out that it works, after his best friend (Patrick Tang) breaks up his girlfriend and Joe patches back with Fiona in that sequence.

This quarrel also leads Joe to meet with a film director (Barbara Wong as herself) who gives Joe a handheld camera to capture his love story. After they get back together, Joe returns the camera but how Barbara and the audience continues to witness their subsequent romance unfolding in the same handheld close-up style is something that’s explained at the end of the movie. The choice of technique works brilliantly, bringing the audience right into the heart of the drama between Joe and Flora.

From the very beginning, Barbara lets us know that Joe and Flora are indeed in love with each other- some particularly poignant scenes include the day when Joe prepares a birthday surprise for Flora, when Joe and Flora try skipping in synchrony on the bed and when Flora surprises Joe by bursting into the bathroom with the camera when he is peeing. Barbara’s film doesn’t trade in overtures, but rather in the minutiae of daily life, the day-to-day moments spent together that make up the most of any couple’s dating life.

Her portrayal of romance in the modern world is also refreshingly accurate. Joe and Flora are resolutely Gen-Z, where mobile phones and PSPs are requisites and dating consists of living together and sleeping together. Their struggles too are just as authentic. Isn’t it true that love isn’t always enough to sustain a relationship, often requiring too commitment, honesty and direction? Even adolescent sweethearts realise at some point that their future together depends on finding a job, starting a family and providing for one another. Barbara emphasises this through the entry- halfway through the film- of graffiti artist Lies Hayama (Hiro Hayama), the kind of go-getter Joe is exactly the opposite of.

The film-within-a-film comes to an especially heartfelt conclusion when Joe and Flora are ultimately confronted with the tensions within their relationship pulling their love apart, and forced to decide if they want to work things out together or move on from each other. Jaycee and Fiona’s performances in this scene are flawless, and guaranteed to leave you misty-eyed. Indeed, I’ll go so far as to say that they are one of the best, if not the best, screen couples I have seen this year and their acting alone is enough to make this one of the must-watch romantic dramas of the year.

But credit should be reserved for Barbara and her longtime writer/producer Lawrence Cheng (who also appears in the film) for creating a movie that blurs the line between real and reel life so skilfully. Their technique adds to a movie that gives a refreshingly honest and realistic look at dating and relationships among young adults in the modern world, where memories are captured ever more ubiquitously on handphones and cameras. Simply one of the very best and original Hong Kong films of the year, and also one of the most romantic and heartfelt movies in a long, long while.


There are three separate featurettes on this disc- “The Acting”, “The Set” and “Behind the Scenes”- which consists of individual segments narrated by director Barbara Wong. In “The Acting”, Barbara explains how she coaxed realistic performances from the actors in particular scenes. “The Set” is especially interesting for the improvisional methods the crew took to shoot the film, including shooting a scene in a karaoke lounge in an ice cream parlour. Finally, “Behind the Scenes” is refreshing for Barbara’s own views of romance and other issues in the film.


The film is presented in both its original Cantonese and dubbed Mandarin track in 5.1 audio. Most of the sound in this dialogue-heavy film is concentrated front and centre, but the occasional ambient noises and eclectic music is used for surround. Visuals are clear and sharp, but the DV quality on which the movie was filmed is plainly evident.



Review by Gabriel Chong

Posted on 13 November 2010


Other titles from Simply Fun:

. Peacock

. The Blood Pledge

. Professor Layton And The Eternal Diva

. Killers

. Monga

. The Men Who Stare At Goats

. Kaiji The Ultimate Gambler

. Gokusen The Movie

. My Girlfriend Is An Agent

. Crows Zero 2

. Scandal Makers

. Pandemic

. Ponyo On The Cliff By The Sea

. Handsome Suit

. 252 Signal of Life

. The Spirit

. Detriot Metal City

. Suspect X

. The Sky Crawlers

. 20th Century Boys

. My Mighty Princess

. The Glorious Team Batista

. Fate

. Attack On The Pin-Up Boys

. Crows Zero

. Hero

. 3:10 To Yuma

. My DNA Says I Love You

. The Last Breath

This review is made possible with the kind support from Simply Fun



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